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Natalie and Lloyd by Aaron
It's a recurring event that the portraitist is focused upon by his subjects. Aaron came by my studio with his sons, and we finished the session making portraits of the portraitist.

He did a good job, too. This picture has all the hallmarks of Lloydian portraiture: motion blur, grey hair, black backdrop, Irish eyes. Even a bit of tattered clothing. And every photog whose dreams have been fueled by matchbook covers touting nine figure incomes can relate to the blonde.

I've been accused of being a 1956 DeSoto by people who liken my facial hair to curb feelers. While it may be more accurate to term them Natalie feelers, I am in fact a 1949 DeSoto.

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© 1997 Lloyd Erlick; all rights reserved